![]() ![]() What’s more interesting is that the crew had worked with a live rat. What happens when a rodent enters his house and refuses to leave forms the rest of the story. When it comes to birds or animals, he always feels things deeply. The protagonist Anjanam Azhagiya Pillai is a kindhearted person. Because, when the narration is effective, the rest falls in place. Nelson Venkatesan’s storytelling technique is the biggest strength of this SJ Suryah-starrer. Peranbu is a film with a lot of heart as it deals more with the story of Amudhavan’s inner journey as a doting father. Ram divides his film into several chapters, named after the many moods of nature. This intense film discusses the taboo around transgender people and masturbation, too. Peranbu normalises the sexual feelings that the differently-abled have. At the same time, it hits you like a train in lots of places, without judging people for who they are and their choices. Mammootty is brilliant in this devastatingly beautiful drama, and Sadhana has done a phenomenal job of playing someone with cerebral palsy. He slowly comes to terms with the fact that his daughter is no longer the little girl he thought she was. This Ram directorial revolves around the life of a single father (Amudhavan played by Mammootty) struggling to understand his child with special needs. Though the film deals with a sensitive subject, H Vinoth’s narration keeps you engaged throughout. Almost every young working woman will identify with Nerkonda Paarvai. Directed by H Vinoth, this remake of Hindi superhit Pink, further, throws light on the male prejudice, patriarchy, sexual violence, besides how society judges single women and most importantly consent (“no means no”). It was refreshing to see ‘mass’ hero Ajith shoulder this court drama effortlessly with an arresting performance. A lawyer, battling with mental health issues, goes out to help three young women, who were sexually assaulted. ![]()
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